Tag Archives: Story

DOT – A FILM

DOT - The FilmI recently viewed a profoundly funny and very real motion picture about a Chicago startup company that soars then goes bust—a must-see for anybody in the entrepreneurial community and a great way to teach what not to do. I’m providing a link to the streaming version. It’s also available on DVD (see below).

Filmed in a heady era a the dot-com era, DOT is as fresh as if made yesterday. It’s Hollywood quality work in the style of the subsequent Christopher Guest/Eugene Levy movie series and the TV show “The Office.” The humor is outrageous and priceless, and could only come from creative yet lucid minds with a deep understanding of what makes business work and not work.  I love the opening line of dialogue, spoken softly, in all sincerity:  “We wanna make the most amount of money in the least amount of time with the least amount of effort.  Basically, that’s about it.”

DOT - The Film

The Makers

I met the makers of the film, Brett Singer and Simeon Schnapper, at the Chicago Loop offices of Youtopia—a real startup that offers a promising solution to community service requirements in public schools. I caught their company presentation at the 2012 Funding Feeding Frenzy—it was one of the top three contestants—and again at the July meeting of BNC Venture Capital. As you’ll find abundantly clear in the movie DOT, these guys know the odds of success for a startup. That means they possess a good dose of panache.

The Making

Singer tells me they created a detailed story and outline of 120 typical scenes any startup might go through, but the dialogue process was DOT - The Filmstrictly improv. They shot the film in 12 days over 6 consecutive weekends, generating more than 40 hours of content. They edited that down to 83 minutes, and I might add, with a great deal of expertise and talent. If these guys want to go into the filmmaking business, they’ve got the tools.

“Most of the actors had very little experience working at a startup,” said Singer. “Before we shot each scene Simeon and I would have a few minutes with the actors to relate to them how a ‘real world’ staff meeting or equity discussion, might be. We were lucky to have such a wildly talented group of improvisers.”

I was surprised to learn that the candidate interview scene was footage of real interviews. Another quirk—the actor who plays the CTO/techDOT - The Film guru had no technical experience at all. “He expressed concerns on in his ability to play the role of a coder/CTO convincingly,” said Singer. “We gave him one note – He’s by far the most intelligent of the bunch. He won’t waste his breath trying to explain or even speak technically around this group. Basically we told him, don’t say anything. Just be annoyed with everyone and occasionally we’ll feed you some lines. We are always told that the most spot-on characterization is the CTO”

Awards

The film had a great festival run, winning a number of awards. It won BEST FEATURE at The Dances with Films Festival in Santa Monica, CA. Said Singer, “After the awards ceremony the judges came up to congratulate us. When we asked, ‘Why did we win?’ they answered, ‘We watched your film first and it set the bar for the whole festival. No other film was better.’” DOT subsequently aired on the Showtime Networks for years.

“Years later we still get emails or Facebook notes on the film,” said Singer. “It’s very quotable and has a small, rabid following. I think it’s ripe for another generation to appreciate it.”

I enthusiastically agree with that. See the entire movie free on streaming media below:

Links

Dot from Brett Singer on Vimeo.

DOT the feature film streaming http://vimeo.com/channels/81216

Get your copy of DOT on Amazon

For more information, contact Brett Singer at brett@youtopia.com

Their real company – YouTopia –  https://youtopia.com/

Funding Feeding Frenzy http://fundingfeedingfrenzy.com/

BNC Venture Capital http://bnchicago.org/Groups.php?group=8

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Find Chicago Venture Magazine at www.ChicagoVentureMagazine.com Comments and re-posts are welcomed and encouraged. This is not investment advice – do your own due diligence. I cannot guarantee accuracy but I give you my best.

Copyright © 2012 John Jonelis – All Rights Reserved

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Filed under BNC Venture Capital, Chicago Venture Magazine, Chicago Ventures, Entrepreneurship, FFF, Innovation, Innovation and Culture, Invention

WALTER MITTY STRIKES AGAIN

The trouble begins with a thoughtful reminder—a polite email sent the night before I am to speak. The 5-minute time limit. This is something I entirely overlooked. So I scramble to cram my talk into a small cup. I know the story. I can ad lib it well, but not in less than five minutes. Tonight I will unwittingly play the Walter Mitty. I’ve seen so many people fill this role. I warn against it. It doesn’t boost my ego to learn it can happen to me.

Walter Mitty is the character from James Thurber’s famous short story. He slips into fantastic daydreams and loses contact with those around him. Danny Kaye re-interpreted the role for a terrific movie. I use the term “Walter Mitty” to describe a speaker that slips into his technical world and fails to connect with his audience. Some people say “geek” or “nerd.” I prefer “Mitty.”

I get off the train, grab a cab, and soon I’m at Kellogg for another session at Esther Choy’s Leadership Story Lab. Why am I here? Yes, I’m a writer, but I’m here to learn to TELL stories. That’s not the same process as writing and it’s not the same as giving a lecture.

Why is learning to tell a story so important? Story is a powerful business tool. Few know how to use it. It differentiates you from all the other equally qualified people.

It’s taken all my free time and the train ride downtown to hack my narrative down to five minutes. Now the sequence seems entirely unfamiliar to me and there’s no time to memorize, no time to rehearse. I figure I’ll rely on my notes. I’ll be all right. No problem. Amazing how one deludes oneself. I have no clue that I am about to fall into the trap around which I steer my clients.

Esther starts the workshop by telling her own story. She tells it as a story. She’s poised, confident, but not at all arrogant. It’s a joy to hear her speak. And it’s fascinating. This is a gal that knows her business.

Then she surprises us. By way of contrast, she begins again, this time listing her background and accomplishments the way people usually do—chronologically. And it’s an impressive list.

Which of the two introductions is more effective?

The story–no contest. I’ll remember the specifics told in the story.

Leadership Story Lab

Throughout the session, she gives pointers on storytelling:

You don’t have to be a superhero to tell a rousing story.
The way you tell is more important than what you tell.
You need some tools.
You need a process
You need to practice

You need plot, characters, conflict and resolution, just as you do in writing. But of all the lessons I learn tonight, the one that sticks out is this: “The hardest thing in telling a story is knowing what to leave out.”

Now I’m hearing four speakers—all fellow Kellogg grads. Some of them perform brilliantly. I’m last. I’m confident. I have no idea that I’m about to fall into the role of Mitty.

Where is the podium? Where will I put my notes? I lay them before me on a low table. Yes, I can just make out the print. I don’t yet realize it’s happening, but instead of the all-important eye contact, the audience is getting a glare off the top of my head. The notes are actually slowing me down.

Esther walks up to me.

She purposely seizes my notes—one sheet at a time.

She walks off with them.

What do I do now? I object. “I can do it without notes if you like, but not in five minutes.”

Her response? “You know your story.”

Tough love.

It takes me a few moments, but without my notes I ad lib. I make eye contact. I gesture with my hands, and generally become more animated. It’s probably too late to salvage this disaster but everything is going so much better.

Now Esther is standing beside me—close beside me. I glance at her. “Am I out of time?”

She smiles with compassion. “Yes,” she says quietly. I quickly skip to the takeaway points of my story and wrap it up.

Esther Choy

Esther Choy

Now for the comments from the audience. Turns out, I lost them right at the start. I won them back after Esther intervened. As I had assumed, I wandered and didn’t finish the story but just as Esther said, delivery was more important than content.

This will not go into my memory banks as a delightful experience. It’s another lesson learned the hard way—the way I usually learn my lessons—with pain and humiliation. But Esther points out the word LAB in Leadership Story Lab. It’s a controlled and safe environment where you can experiment—where you are allowed to fail. And fail I did. And I’m thankful. I’m thankful for the opportunity to fail here rather than in the cold world of business.

Learn. Practice. Practice again.

Find Leadership Story Lab at http://leadershipstorylab.com/

Comment on this article — Name and email optional

Find Chicago Venture Magazine at
www.ChicagoVentureMagazine.com
Comments and re-posts are welcomed and encouraged. This is not investment advice – do your own due diligence. I cannot guarantee accuracy but I give you my best.

© 2012 John Jonelis – All Rights Reserved.

2 Comments

Filed under Leadership Story Lab